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All CIMA da Conegliano Oil Paintings


    

     Artist Introduction: Italian Painter, ca.1459-1517 Italian painter. He belonged to the generation between Giovanni Bellini and Giorgione and was one of the leading painters of early Renaissance Venice. His major works, several of which are signed, are almost all church altarpieces, usually depicting the Virgin and Child enthroned with saints; he also produced a large number of smaller half-length Madonnas. His autograph paintings are executed with great sensitivity and consummate craftsmanship. Fundamental to his artistic formation was the style that Bellini had evolved by the 1470s and 1480s; other important influences were Antonello da Messina and Alvise Vivarini. Although Cima was always capable of modest innovation, his style did not undergo any radical alteration during a career of some 30 years, and his response to the growing taste for Giorgionesque works from the early 16th century remained superficial. He seems to have maintained a sizeable workshop,
     

CIMA da Conegliano Madonna of the Orange Tree china oil painting artist


Madonna of the Orange Tree
Painting ID::  83968
  Date ca. 1495(1495) Medium tempera and Oil on panel cjr
 

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All CIMA da Conegliano Oil Paintings


    

     Artist Introduction: Italian Painter, ca.1459-1517 Italian painter. He belonged to the generation between Giovanni Bellini and Giorgione and was one of the leading painters of early Renaissance Venice. His major works, several of which are signed, are almost all church altarpieces, usually depicting the Virgin and Child enthroned with saints; he also produced a large number of smaller half-length Madonnas. His autograph paintings are executed with great sensitivity and consummate craftsmanship. Fundamental to his artistic formation was the style that Bellini had evolved by the 1470s and 1480s; other important influences were Antonello da Messina and Alvise Vivarini. Although Cima was always capable of modest innovation, his style did not undergo any radical alteration during a career of some 30 years, and his response to the growing taste for Giorgionesque works from the early 16th century remained superficial. He seems to have maintained a sizeable workshop,
     

CIMA da Conegliano Madonna of the Orange Tree china oil painting artist


Madonna of the Orange Tree
Painting ID::  84670
  Date ca. 1495(1495) Medium tempera and Oil on panel cjr
 

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All CIMA da Conegliano Oil Paintings


    

     Artist Introduction: Italian Painter, ca.1459-1517 Italian painter. He belonged to the generation between Giovanni Bellini and Giorgione and was one of the leading painters of early Renaissance Venice. His major works, several of which are signed, are almost all church altarpieces, usually depicting the Virgin and Child enthroned with saints; he also produced a large number of smaller half-length Madonnas. His autograph paintings are executed with great sensitivity and consummate craftsmanship. Fundamental to his artistic formation was the style that Bellini had evolved by the 1470s and 1480s; other important influences were Antonello da Messina and Alvise Vivarini. Although Cima was always capable of modest innovation, his style did not undergo any radical alteration during a career of some 30 years, and his response to the growing taste for Giorgionesque works from the early 16th century remained superficial. He seems to have maintained a sizeable workshop,
     

CIMA da Conegliano Madonna of the Orange Tree china oil painting artist


Madonna of the Orange Tree
Painting ID::  87819
  1495(1495) Medium tempera and Oil on panel cyf
 

Height    Width


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All CIMA da Conegliano Oil Paintings


    

     Artist Introduction: Italian Painter, ca.1459-1517 Italian painter. He belonged to the generation between Giovanni Bellini and Giorgione and was one of the leading painters of early Renaissance Venice. His major works, several of which are signed, are almost all church altarpieces, usually depicting the Virgin and Child enthroned with saints; he also produced a large number of smaller half-length Madonnas. His autograph paintings are executed with great sensitivity and consummate craftsmanship. Fundamental to his artistic formation was the style that Bellini had evolved by the 1470s and 1480s; other important influences were Antonello da Messina and Alvise Vivarini. Although Cima was always capable of modest innovation, his style did not undergo any radical alteration during a career of some 30 years, and his response to the growing taste for Giorgionesque works from the early 16th century remained superficial. He seems to have maintained a sizeable workshop,
     

CIMA da Conegliano Madonna of the Orange Tree china oil painting artist


Madonna of the Orange Tree
Painting ID::  88566
  1495(1495) Medium tempera and Oil on panel cyf
 

Height    Width


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All CIMA da Conegliano Oil Paintings


    

     Artist Introduction: Italian Painter, ca.1459-1517 Italian painter. He belonged to the generation between Giovanni Bellini and Giorgione and was one of the leading painters of early Renaissance Venice. His major works, several of which are signed, are almost all church altarpieces, usually depicting the Virgin and Child enthroned with saints; he also produced a large number of smaller half-length Madonnas. His autograph paintings are executed with great sensitivity and consummate craftsmanship. Fundamental to his artistic formation was the style that Bellini had evolved by the 1470s and 1480s; other important influences were Antonello da Messina and Alvise Vivarini. Although Cima was always capable of modest innovation, his style did not undergo any radical alteration during a career of some 30 years, and his response to the growing taste for Giorgionesque works from the early 16th century remained superficial. He seems to have maintained a sizeable workshop,
     

CIMA da Conegliano Madonna of the Orange Tree china oil painting artist


Madonna of the Orange Tree
Painting ID::  89738
  1495(1495) Medium tempera and oil on panel Dimensions Height: 212 cm (83.5 in). Width: 139 cm (54.7 in). cyf
 

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Related Paintings to CIMA da Conegliano :.
| Bonaventure and Anthony of Padua (mk05) | Ships on the Zuiderzee before the Fort of Naarden | Cornation of the Virgin (mk08) | The Return of the Prodigal son | The Annunciation |


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